Katrina Kaif sprints into action: who needs romance?

googled and found koimoi.com

Katrina is excited about her two new action movies “Bang Bang” and “Dhoom3”

but nobody could be more excited than her fans who admired her sprinting through Ek Tha Tiger with Salman Khan. (why wasn’t that the most successful movie of all times? I LOVED IT, but then, I am a huge Katrina fan and I love her in all her movies. she just always shines so bright).

I googled and googled and googled my heart out but I couldn’t find the scene where Katrina shows off her action skills. But if you saw the movie, you know this girl can RUN! :-)

and DIVE:


check out:

Katrina Kaif excited to take up action genre

Press Trust of India | March 14, 2013 20:12 IST (Mumbai)
Katrina Kaif excited to take up action genre

Katrina will next be seen in action flick Dhoom 3.
Katrina Kaif has usually done love stories but the actress says she is looking forward to go beyond her romantic image with action films Dhoom 3 and Bang Bang.The two films, starring Aamir Khan and Hrithik Roshan, involve hardcore action and Katrina herself will be seen performing some dare devil stunts.”Bang Bang is inspired by Hollywood film Knight and Day but we have re-done the story to suit Indian audience. It is an action comedy and I haven’t done anything like this in a long time.

“All my previous movies have more or less been love stories. This also has a love angle but with a twist. It is a huge change and I am really excited about it,” she told PTI. Katrina is currently busy filming Aamir Khan starrer Dhoom 3 in Switzerland.

“We are still shooting… Still have a lot of work to do but it is shaping up well. It is a very glamorous and bold role at the same time. I am having a good time working with Aamir. He is a wonderful actor, extremely supportive.”

The Singh Is King star recently joined the list of actresses who have worked with the top three Khan’s (Salman, Shah Rukh and Aamir) of the industry.

Though she feels lucky to have worked with the three superstars, Katrina says beyond a point name does not matter more than the work she is being offered.

“The big deal is they are legends and have been in the industry for the longest time… I am very fortunate to have got an opportunity of working will all three. It has been a learning and informative experience but beyond that I think it is not whom you work with but the kind of movies you do and what are you interests. What matters to me is the script and the director I am working with,” she said.

Coming from a non-filmy background and considering her non-fluency in Hindi, Katrina has achieved a lot by delivering hits like New York, Raajneeti, Zindagi Na Milegi Dobara, Bodyguard, Ek Tha Tiger and Jab Tak Hai Jaan.

Besides movies, she is also a part of many endorsements. She recently shot for an all new campaign for Mango drink Slice, titled the Slice taste challenge.

Katrina returns to her seductive look in the commercial, which she feels has a very poetic feel to it.

“Slice has been one of my best associations. When they started, their ideas just clicked with me. I believe if the base of the project is strong be it movies or ads, half of the work is already done.

“Also what I like is the sensual and visually appealing look of the ad. The quality is so poetic and it has a story with a message. All of this makes the journey of being with them more special and exciting,” she added.

Commenting on the recent reports about her younger sister joining the film industry, Katrina said, “Isabelle is currently in LA completing her acting course. She is happy there and has no plans of coming to Bollywood as of now. So as and when she completes her course and if she wants to come she can come.”

and here is her juicy Slice ad:

okay, Katrina you got us to eat the pound of sugar hidden in that drink. what else?

almost as yummy is her performance in the song Sheila Ki Jawaani

oh sorry, that was her body-double



phir milenge at Bang Bang and Dhoom 3



Jolly LLB on collision course with India’s esteemed legal Incs

Hello lawyers, lighten up! It’s just a comedy.

From the director/writer  of  the wonderful quirky movie Phas Gaye Re Obama,  where a bankrupt American gets kidnapped and devises a plot together with his kidnappers how to make money out of their failing plot,  comes a new film along, Jolly L.L.B. This time Subhash Kapoor ventures into the court system in India.

Lawyers filed a petition against the film claiming it undermines the dignity of lawyers and judges of India’s legal system. That’s funny already and should be incorporated in the film as a side-show. Look, I would think the dignity of Indian courts is in question when rapists get a slap on the hand, when VIPs, who trespass the laws, never serve a sentence…but no, a comedy, a satire apparently is more inflammatory and damaging. Okay.


Here is a good interview I found on TOI with Boman Irani, who’s playing a hot-shot lawyer in the movie, talking about his costar Arshad Warsi, children, and India’s New Wave cinema.






Ram Gopal Varma’s film based on “The Attacks of 26/11”

a date that will live on in infamy in India, remembered for its senseless bloodshed.  At least 164 died that day in a hail of AK gunfire, and close to 300 were injured. The terrorist attacks were minutely orchestrated and executed by members of the Pakistan-based militant organization Lashkar-e-Taiba (LeT), showing no mercy on men, women, children, the sick, the old, the innocent,  Hindu, Christians and even Muslims. Not even street dogs are spared.. The message is to spread terror and instill fear.

Ram Gopal Varma conveys that brutality in his movie 26/11 convincingly. The movie opens at the trial with the testimony of the Joint Police Commissioner played by Nana Patekar before it cuts to the action that we all await with pounding hearts in memory of those painful days in Mumbai in the fall of 2008.

A fishermen’s boat being is captured by a group of men with blood on their mind. Hat off to Ram Gopal Varma. The early scenes on open sea and as the determined and blood-thirsty jihadists make it to shore are foreboding, bone-chilling. Numbing. Evil taking over. That moment right there, the fishermen chatting on about their lives, simple men working hard to eke out a living. A boat approaches from far with someone waving a white flag signaling distress. A short and brutal take-over. Knowing what is to come, the audience is shrouded in helplessness. Ram Gopal Varma has us in his hands.

We get a first glimpse at Sanjeev Jaiswal as Kasab, the lone gunman brought to justice later on. Jaiswal dominates the second half of the movie with his unbelievably powerful performance.

Meanwhile the dangerous, cold blooded fire in the eyes of the jihadists is grabbing us by our throats. As we watch the first wave of slaughter taking place offshore in deep waters and almost feel in flesh the fear and helplessness of the fishing crew, all of whom will perish, it fills you with disgust and rage seeing the perpetrators change into outfits of regular tourists, who could be easily mistaken for a group of high-school friends coming to town for an innocuous sightseeing tour. Only instead of notebooks and travel guides they carry AK47s which they now start to unleash in unprecedented fashion on innocent Mumbaites, targeting at least six different locations.

The city is under siege for the next three days. But RGV is not guiding us through the whole process and exact events. He gives us an idea about the first hours and what they looked like. The Leopold Cafe, the Taj Mahal Grand Hotel, the Chhatrapati Shivaji train station, the Cama Hospital, the taxi, who is picking up the group with Mohammed the driver who gets later on blown up into pieces. No one is spared in the bloodbath that unfolds..

This is Ram Gopal Varma’s most powerful film to date. Even though I felt it stopped in its path by dedicating too little time on the whole event, which encompassed a couple of days. It would have been probably too grand of a task to film a Taj Mahal Hotel engulfed in flames, how the terrorists went from room to room through the whole building lining up hostages. So many stories of heroism and victimization untold…voices who would have had merit to be heard. Instead Varma takes a different route. He cuts short to the capture of Kasab and the second half it becomes Kasab’s story.  Sanjeev Saiswal’s intensity  reminded me of some of the most epic moments in film, the greatness of actors like Toshiro Mifune. Makeup and cinematography and his acting it all comes together in a torrent that washes you away like a tsunami. The one weakness the film has, it can’t hold the bundled up tension together, it becomes preachy and verbose as the Police Commisisoner starts philosophizing over the true meaning of the Quran and Jihad. Even though the message is well taken, and Nana Patekar delivers a fine performance here, the movie would have been much stronger without a sermon at the end. Do we need to rehabilitate jihadists on death-row? show them there are no virgins no baths in milk and honey, only scores of victims cursing them out in the afterlife? Any wannabe Jihadist will walk out of the movie or turn off the TV. Sometimes messages clouded in silence speak actually louder. The scene where Kasab is seen thrown on the corpses of his comrades was powerful enough in itself. It didn’t need any dialogue.

So I would have preferred more time dedicated to actual facts and events, which were kind of hushed over and lingered in question marks in my head as I was walking out of the movie. I felt that one third of the entire film was MIA, due to perhaps budgetary restraints or were left behind on the cutting board. Despite some of its weaknesses, this film is incredible and the most powerful moments have etched themselves already into my memory files.

and one question at the end I want to ask RGV: did he bring a vet to the set who knocked out the dog temporarily? or more permanently? I’d like to know. Usually you will see a “no animal was hurt” – maybe I missed it?

“Shootout at Wadala” already making waves

I love Indian crime stories. They are gritty, messy, wild, passionate. In the US they are polished, predictable and boring. Bharat mein, pre-release there are always some little scandals surfacing, pushing much awaited release dates back. Personally I believe that monies might get shoved under some tables to make more people happy.This is India, afterall, where honey cakes get divided, or else!!

Shootout at Wadala is no exception. but it’s not about release dates but rather it might step on some sensitive toes in the underworld.  specifically, we hear,  Dawood Ibrahim Kaskar is not happy with his depiction by Sonu Sood :-) so there, let’s quickly change the character’s name..we don’t want Ibrahim to be sulking.

I just ordered the book the movie is based on. Dongri to Dubai  by Hussain Zaidi at amazon. I hope it’s not written in Hindi :-) i did it a bit in a hurry.

Directed by Sanjay Gupta, close friend of Sanjay Dutt, who was proofreading the script and exclaiming here and there,” no it wasn’t like that at all!” I am making fun of course, Sanjay Dutt has no connections to the underworld whatsoever.

What I am looking forward to is John Abraham and not because of his muscles displays. He is just getting better and better with every film. more forceful, more powerful, more convincing. He can play the phonebook, he’s good at comedy at action at drama at romance.  John Abraham is maturing like a good bottle of Bordeaux. And boy, I wish I had him in my wine cellar. I want to add, I very much enjoyed his first gig at producer, Vicky Donor, it was a hilarious movie. (btw, i think Hollywood might have stolen the idea, just saw a trailer yesterday which reminded me very much of Vicky Donor, a bit too much! )

Most of all,  I love John’s naughty little smirk. but that’s just an afterthought….



If Inkaar has taught me one lesson: don’t sleep with your boss or Mayday Mayday

This movie never made it to my shores. An  interesting and multilayered film dealing with sexual harassment at the workplace. But if you think you learn something, then let’s cut to the chase. Don’t sleep with your boss. EVER. Under no circumstances. We know from experience how messy that can get. Case in point: Inkaar

A  panel of investigators is summoned to determine if a sexual harassment suit filed by the creative director of an ad agency, Maya (Chitrangda Singh)  against a CEO, Rahul  (Arjun Rampal)  has any merit and a solution can be found internally without creating too many waves. The questioning takes place over three days and we viewers  feel just as exhausted at the end of this film as the members of the panel. But then comes the film’s climax and we realize our sufferings were in vain.The two feuding parties were just trying to figure out how they feel about each other. Duh!

So what started out as a really interesting premise of He Said She Said, the whole muddiness of office romance, game of ambition, blame and accusation had me in its grip. Usually sexual harassment is about one willing and one unwilling party, but in this case there was mutual attraction and boundaries were crossed consensually An ambitious young attractive employee finds a mentor in her boss and climbs up the ladder.

To illustrate how young and dumb she was in the beginning of her odyssey we see Maya adorned with unattractive body piercings until she morphs into a sophisticated dame in accordance with her new position. of creative director, which turns her into a mean and patronizing boss who fires old tested employees at will. Maya never appears as a victim and never gets our full sympathy. except of course we ask ourselves, in order to climb the ladder in a company on the fast track, do we need to sleep our way up? and that’s a concern of many women. It’s legit. We see it happen all the time.  Maya does and gets somewhere fast. She has a good mind and everyday situations are converted into creative ideas that benefit the agency. So even if she hadn’t slept with her boss and mentor, she would have probably climbed up pretty fast. We understand his well-controlled rage and anger when she is being promoted and encroaches now on HIS territory.

We see their relationship play out in their reciprocal flashbacks. And our sympathies may switch from one to another as we can understand their viewpoints..

I was happy to see Chitrangda Singh, who had so impressed me in Desi Boyz. She is undoubtedly one of the most beautiful actresses in Bollywood these days. She exudes elegance and sophistication. Somehow she reminds me of Zeta-Jones.. What I loved about her in this role is, that she remained enigmatic to the end. A superbly nuanced performance.

This was a fantastic role for Arjun Rampal, too. I could too fall in  love him  and hate him and admire him, just as Maya. This emotional roller-coaster kept me glued to the story.The tension was building up, but helas, it collapsed like an undercooked souffle which you have pulled out of the oven with great anticipation and then see it sadly deflate.

I wish I could re-write some of Bollywood’s endings. They oftentimes feel rushed, clumsily put together and reverse the positive feelings you built up during the movie. No exception here. They should have brainstormed the ending maybe via a focus group. The climax and resolution was the weakest part. So weak indeed that I felt that I had wasted two hours of my time. Still, the characters resonated with me and I therefore I would recommend watching it to my friends, warning them ahead of time about a weak ending.

I, Me aur Main: John in the avatar of a hot male narcicist


He’s never looked hotter and never played a more despicable character. Or that at least is what I think as a woman. Parents of eligible daughters, meet your nightmare. Well, the girl will never get to meet the parents and that’s how the movie starts. Haven’t we met them before, the commitment-phobic?

This is a bittersweet movie about a flailing relationship that doesn’t go anywhere, mainly because our protagonist, music producer with a golden touch, Ishaan (John Abraham)  is a self-centered and self-destructive SOB, the center and blackhole of his own universe.

His girlfriend Anushka (the beautiful Chitrangada Singh from Desi Boyz and Inkaar) a successful professional in her own rights, has had it with him, his empty promises, his hedonistic life-style. He doesn’t know it, but there is an ultimatum in the air. She gets dressed up to meet his parents, he forgets all about it partying and drinking after-hours.

Anushka means business and for her a no is a no and shuts him out of her life, figuratively and literally. Even though the movie applauds the manifesto of “hey, I don’t need you. I can figure it out on my own,” none of the female characters is flawless or very likeable. Each character is actually pretty lonely and struggles with their own demons and their own narcissistic tendencies. I couldn’t warm up to any and yet, could relate to their strengths and their weaknesses, their humanity. Often we don’t mean to be hurtful and just don’t think things through, the ramifications of our behavior.

After being fed to the dogs, Ishaan seems to find new love and outlook on life when he gets to know more intimately his new neighbor, Gauri, played by Prachi Desai. But even this relationship is flawed. In his professional life, Ishaan doesn’t score much better. His boss is a woman with her own S&M fantasies (slightly wardrobe challenged Raima Sen). We can’t even celebrate her higher salary and position because she is not much nicer than Ishaan and seems just vindictive.

And then there is still Ishaan’s overpowering and overindulging mother, who clearly favored her son over her daughter from the getgo. since he was the younger of the siblings, did she feel the need to protect him or is it that she favored in good old tradition the male progeny?

We know little about the sister other than she sides with Anushka, not her brother, which isn’t difficult to understand.

Relationships leave marks and sometimes have consequences. The film offers a window into difficult and uncomfortable solutions. When we walk out of the theater, there is no sense of elation. The movie attempts to close on a high note, but we don’t buy it.

This is not a high-five type of a movie. But this is exactly what I appreciate about it. Once again John Abraham doesn’t shy away from a role that makes him appear unlikeable. Even though I must say he has never looked hotter and made my heart stop more than once with his brooding masculinity. Deep down he represents these dangerous type of men good girls are attracted to. And somewhere inside of him he might have caught a glimpse of familiarity with the dark side of his character. He played Ishaan with ease.

This movie reminds us to be better, as lovers, as friends, as mates. So it comes with a message. It’s almost a dialogue opener between the sexes, between partners. What do we want from each other, what are our expectations? What is acceptable, what not?

I liked the conclusion of the movie. It was painfully realistic. Therefore I believe it won’t be a big box office success. For some reason I gravitate towards those.

On another level, I liked the nuanced cinematography. It’s a promising directorial debut for Kapil Sharma. Not a novice in the film industry, this is his first gig as director. Promising.

Writer Devika Bhagat has written some fabulous screen-plays, like Manorama 6f u.Bachna Ae Haseena, Aisha, Ladies vs RB, JTHJ..

Even though Devika takes a women-centric stance she still doesn’t lose perspective. We have our weaknesses too. I like that about her characters. Never comes out more than in this movie.  Aisha was such a mix of likeable, manipulating, shallow and earnest.

However, her characters put their foot down and are unafraid, facing a challenging world upfront. Gone are the times in India that women smile bashfully through abuses. Anushka, Gauri, even the mother are decision-makers and won’t get bullied into submission.

Devika Bhagat writes for contemporary women, encouraging them to come into their own. Yet, a reconciling middle-ground should be the goal. I wouldn’t like to see male chauvinism being replaced by female chauvinism.We can find a seed of that threat in I, Me aur Main.

Bollywood a la Gangnam

If you think Gangnam is so darn original, think twice. Bollywood has been entertaining us for eons in Gangnam style.  And they have not run hush hush to obtain a patent …

I don’t know how long we will talk about Gangnam but one thing is sure, Bollywood will endure the test of time.