Agent Vinod aka Speedy Gonzalez


Agent Vinod aka Agent Speedy Gonzalez zooms so fast around the globe that if you looked on your watch to see how long this movie is going to be you lost track of two continents… I had to take a bathroom break so I missed another three and good part of the plot. If you thought Kahaani was moving you too fast through Calcutta, that was Kindergarten. They prepped us in Kahaani, I realized,  for the pace of this movie.

I regretted through the first half not sitting further in the back of the theater. I keep forgetting that this is preferred seating in the action movie genre. If you sit too close have advils handy.

Having said that, getting it out of my way, I liked our Vinod. He is different from the Bond characters, who are kissed by entitlement and different from the earthy type Matt Damons.

Agent Vinod is not a man you will fall in love with, easily,  he looks more like a well-trained Navy Seal who storms through the movie dressed like an office clerk. No big laughs in this BW action-thriller, with the exception of one come-on scene with a male stewardess and one where our Navy Seal pretends to be gay for the duration of a short taxi ride.

I loved the beginning of the movie, although it was an unapologetic combo of Spy Game and Once Upon A Time in the West, the famous scene with the harmonica. Not so effectively used here but evoking a sweet memory of Sergio Leone’s masterwork, a tribute of sorts.

So the movie starts somewhere in Afghanistan (or where was it) and then zigzags around the globe, the mission staying in the dark until the very end almost but numerical clues dropped throughout the first half of the movie, until you almost don’t care anymore what 242 means and the sound of it starts looking ridiculous. That’s when the mystery gets revealed.

But I am talking here as if I didn’t like the movie.  I did!  I thought it was elegantly done, very stylish,  with hints of film noir elements transcribed in color. Great action scenes. Fantastic locations. Saif pounces on his role with a meat hammer. He means business and has a short attention span. We never get to see him relaxed once. A man on the mission.That he shares with Western espionage figures but Saif makes his Vinod look very hardcore realistic and the unraveling plot supports it. It touches upon a raw nerve when we think of the scenario and we walk out of the movie theater slightly more concerned than we walked in.

Kareena looks hotter than ever with a little bit of flesh.. So hot indeed that when Saif  proposes to her we have to believe he means business this time around. But then, given what happens next to her character, snaps. Maybe not :-)

Supporting cast members were wonderfully chosen, I thought. Some great characters. then again, not so well developed because of the pace of the movie. Btw, outstanding performance by the camel. short but highly effective scene. We get a lot of memorable moments here and for that reason I would see the movie again.

Personally, I think they should have done more editing, cutting out more of the unessential, and one or two songs, that didn’t really contribute.

Altogether though, bravo, Sriram Raghavan, creating a wonderful legacy after Ek Hasina Thi and Johnny Gaddaar, this was a really good story. Well-told and well-acted.

Happy returns.

 

 

 

 

 

 

Saif Ali Khan postscript


Postscript of the Saif/Iqbal Sharma saga:

If we followed the hundred press reports, by now we are all  pretty much informed about what went down there in the Wasabi restaurant in this game of “He said. He said” with the whole drama of allegations and arrest, broken nose and grandpa on the stairs……We have it in the news, on twitter.  It’s everywhere.  We will digest it just in time for the release of Agent Vinod.  The only alarm-raising flag in this whole matter is Iqbal Sharma’s NEIGHBOR, who claims THEY ARE FRIENDS!!!!   I hope the media will do their homework and uncover if this was indeed an Agent Vinod publicity stunt, in which case I will outright refuse to see the movie.

Just the other day, looking at Riteish’s wedding pictures I was thinking that they (meaning  the people with vested interests, including Riteish himself)  probably made this poor man MARRY  Genelia to promote Tere Naal Love Ho Gaya, a film that will most likely tank anyway.  I know that sounds mean, but I wouldn’t be surprised A BIT!   Riteish states that “promoting the movie” will give him “a chance to spend time” with his bride… eh, I thought they did that for the last 10 years…

Rumors started circulating about Akshay Kumar’s ” marriage crisis” just before  Housefull 2 opens in April. Poor Akki got all infuriated. Probably it’s something planted to make him look more “bachelorish” again…  and spike females’ interest in the movie  (why there should be a connection, beats me, but it seems to be documented that availability factor of stars plays a role in marketing.  Are we really that deluded?  apparently, haha). Meanwhile it’s probably causing a ruckus in the family. And there is a kid involved!


Question is: what to believe anymore! are we all taken for a ride? are we all victims here of murky publicity stunts?


232919-8-66.html    every news bit seems to end with the phrase about the neighbor who claims these two are friends… but maybe just one journalist picks it up from the other to make things look juicier

 

 

Agent Vinod


One of the most anticipated movies  on Bollywood’s horizon releasing soon is  Agent Vinod.

 

 

check out more here:

saifalikhanonline.wordpress.com

 

We are on edge. Why?  It’s written and directed by Sriram Raghavan

 

who has brought us, if you ask me, one of the best thrillers India has produced: Johnny Gaddaar. It’s the one film I recommend to all of those igno guys who think Bollywood is just for girls  :-)

 

 

I also liked (even though less than JG)  Ek Hasina Thi, the first collaboration between Sriram and Saif:

 

 

 

what’s in the oven


I was just reading in Box Office India about Saif’s next venture:

by Box Office India (January 23, 2012)

There were rumours that Saif Ali Khan would not feature in his next home production Go Goa Gone being directed by Raj Nidimoru and Krishna D K. But here comes news that Khan will shoot for the film in mid-February. The film features Kunal Khemu in the lead.

Mumbai distributor Ajay Bagbai is all set to turn producer. There will soon be an announcement that he’s signed cinematographer Natarajan Subramanian to direct his maiden venture. The cast is yet to be finalised.

(I still don’t know how to work these links…. need to study wordpress A-Z)  anyhow, it got me interested. I like Kunal Khemu since I saw him in Traffic Signal. Subsequent roles weren’t as complex. Kunal and Saif are a little bit alike. Fast moving, edgy,  clever.  I could see these two work beautifully together with the right script.